1.
Aubert, Laurent: The music of the other: new challenges for ethnomusicology in a global age. Ashgate, Farnham (2007).
2.
Blacking, John: How musical is man? Faber and Faber (1976).
3.
Bohlman, Philip V.: World music: a very short introduction. Oxford University Press, Oxford (2002).
4.
Broughton, Simon, Ellingham, Mark, Lusk, Jon, Clark, Duncan, Broughton, Simon, MyiLibrary: The rough guide to world music: [Vol. 1]: Africa & Middle East. Rough Guides, London (2006).
5.
Broughton, Simon, Ellingham, Mark, Lusk, Jon, Broughton, Simon: The rough guide to world music: Vol. 1: Africa & Middle East. Rough Guides, London (2006).
6.
Broughton, Simon, Ellingham, Mark: World music: the rough guide, Vol. 2: Latin & North America, Caribbean, India, Asia and Pacific. Rough Guides, London (2000).
7.
Fletcher, Peter: World musics in context: a comprehensive survey of the world’s major musical cultures. Oxford University Press, Oxford (2001).
8.
Lomax, Alan, American Association for the Advancement of Science: Folk song style and culture. Transaction Publishers (1994).
9.
Malm, William P.: Music cultures of the Pacific, the Near East, and Asia. Prentice Hall, Upper Saddle River, N.J. (1996).
10.
May, Elizabeth: Musics of many cultures: an introduction. University of California Press, Berkeley, Calif (1983).
11.
Miller, Terry E., Shahriari, Andrew C.: World music: a global journey. Routledge, London (2008).
12.
Nettl, Bruno: Excursions in world music. Prentice Hall, Upper Saddle River, N.J. (2004).
13.
Nettl, Bruno: The study of ethnomusicology: thirty-one issues and concepts. University of Illinois Press, Urbana (2005).
14.
Post, Jennifer C.: Ethnomusicology: a contemporary reader. Routledge, Abingdon (2006).
15.
Reck, David Benedict: Music of the whole earth. Da Capo Press, New York (1997).
16.
Titon, Jeff Todd: Worlds of music: an introduction to the music of the world’s peoples. Schirmer Cengage Learning, Belmont, Calif (2009).
17.
Wade, Bonnie C.: Music in India: the classical traditions. Prentice Hall, Englewood Cliffs (1979).
18.
Wade, Bonnie C.: Thinking musically: experiencing music, expressing culture. Oxford University Press, New York (2004).
19.
Wallin, Nils Lennart, Merker, Björn, Brown, Steven: The origins of music. MIT Press, Cambridge, Mass (2000).
20.
Garland Encyclopedia of World Music Online (Vols 1-10), http://0-glnd.alexanderstreet.com.wam.city.ac.uk/Browse/Referencework.
21.
Arnold, Alison: South Asia: the Indian subcontinent. Garland Publishing (2000).
22.
Danielson, Virginia, Marcus, Scott Lloyd, Reynolds, Dwight: The Middle East. Garland Publishing, London (2002).
23.
Kaeppler, Adrienne L., Love, J.W.: Australia and the Pacific Islands. Garland Publishing (1998).
24.
Koskoff, Ellen: The United States and Canada. Garland Publishing (2001).
25.
Miller, Terry E., Williams, Sean: Southeast Asia. Garland Publishing (1998).
26.
Sheehy, Daniel Edward: The Garland handbook of Latin American music. Routledge, London (2008).
27.
Olsen, Dale A., Sheehy, Daniel Edward: South America, Mexico, Central America, and the Caribbean. Garland Publishing (1998).
28.
Provine, Robert C., Tokumaru, Yosihiko, Witzleben, J. Lawrence: East Asia: China, Japan, and Korea. Routledge (2002).
29.
Rice, Timothy, Porter, James, Goertzen, Chris: Europe. Garland Publishing (2000).
30.
Stone, Ruth M.: Africa. Garland Publishing (1998).
31.
Stone, Ruth M.: The Garland handbook of African music. Garland, London (2000).
32.
Arom, Simha: African polyphony and polyrhythm: musical structure and methodology. Cambridge University Press, Cambridge (1991).
33.
Baumann, Max Peter, Simon, Artur, Wegner, Ulrich, European Seminar in Ethnomusicology: European studies in ethnomusicology: historical developments and recent trends : selected papers presented at the VIIth European Seminar in Ethnomusicology, Berlin, October 1-6, 1990. F. Noetzel, Wilhelmshaven (1992).
34.
Baumann, Max Peter: World music, musics of the world: aspects of documentation, mass media and acculturation. F. Noetzel, New York, N.Y. (1992).
35.
Best, Curwen: Culture @ the cutting edge: tracking Caribbean popular music. University of the West Indies Press, Jamaica (2004).
36.
Blacking, John: A common-sense view of all music: reflections on Percy Grainger’s contribution to ethnomusicology and music education. Cambridge University Press, Cambridge (1987).
37.
Blacking, John, Byron, Reginald: Music, culture, & experience: selected papers of John Blacking. University of Chicago Press, Chicago (1995).
38.
Bolinger, Dwight: Intonation and its uses: melody in grammar and discourse. Stanford University Press, Stanford, Calif (1989).
39.
Bronson, Bertrand Harris: The ballad as song. University of California Press, Berkeley (1969).
40.
Burnett, Robert: The global jukebox: the international music industry. Routledge, London (1996).
41.
Catchpole, Clive, Slater, P. J. B.: Bird song: biological themes and variations. Cambridge University Press, Cambridge (2008).
42.
Chernoff, John Miller: African rhythm and African sensibility: aesthetics and social action in African musical idioms. University of Chicago Press, Chicago (1979).
43.
Clayton, Martin, Herbert, Trevor, Middleton, Richard: The cultural study of music: a critical introduction. Routledge, London (2003).
44.
Daniélou, Alain, Daniélou, Alain: The raga-s of northern Indian music. Munshiram Manoharlal Publishers, New Delhi (1980).
45.
Foley, John Miles: The singer of tales in performance. Indiana University Press, Bloomington (1995).
46.
Frith, Simon, International Association for the Study of Popular Music: World music, politics and social change: papers from the International Association for the Study of Popular Music. Manchester University Press, Manchester (1989).
47.
Hart, Mickey, Kostyal, K. M.: Songcatchers: in search of the world’s music. National Geographic Society, Washington, D.C. (2003).
48.
Hartshorne, Charles: Born to sing: an interpretation and world survey of bird song. Indiana University Press, Bloomington, Minn (1973).
49.
Herndon, Marcia, Ziegler, Susanne, ICTM Study Group on Music and Gender, International Council for Traditional Music: Music, gender, and culture. Noetzel, Wilhelmshaven (1990).
50.
Holroyde, Peggy: Indian music: a vast ocean of promise. Allen and Unwin, London (1972).
51.
Hood, Mantle: The ethnomusicologist. Kent State University Press, Kent, Ohio (1982).
52.
Hughes, David W.: Traditional folk song in modern Japan: sources, sentiment and society. Global Oriental, Folkestone (2008).
53.
Jackson, Irene V.: More than drumming: essays on African and Afro-Latin American music and musicians. Greenwood Press (1985).
54.
Jellis, Rosemary, British Broadcasting Corporation: Bird sounds and their meaning. British Broadcasting Corporation, London (1977).
55.
Kaufmann, Walter: The ragas of North India. Asia Publishing, Sittingbourne (1993).
56.
Lau, Frederick: Music in China: experiencing music, expressing culture. Oxford University Press, Oxford (2008).
57.
Lindsay, Jennifer: Javanese gamelan: traditional orchestra of Indonesia. Oxford University Press, Oxford (1992).
58.
Ling, Jan: A history of European folk music. University of Rochester Press, Rochester, N.Y. (1997).
59.
Lord, Albert Bates: Epic singers and oral tradition. Cornell University Press, Ithaca (1991).
60.
Manuel, Peter Lamarche: Popular musics of the non-Western world: an introductory survey. Oxford University Press, New York (1988).
61.
Merriam, Alan P.: The anthropology of music. Northwestern UP (1964).
62.
Myers, Helen: Ethnomusicology: an introduction. Macmillan (1992).
63.
Myers, Helen: Ethnomusicology: Vol.2: Historical and regional studies. Macmillan, Basingstoke (1993).
64.
Nettl, Bruno, Béhague, Gerard, Woodring Goertzen, Valerie: Folk and traditional music of the western continents. Prentice-Hall, Englewood Cliffs, N.J. (1990).
65.
Nettl, Bruno: Music in primitive culture. Harvard UP (1977).
66.
Nettl, Bruno: The Western impact on world music: change, adaptation and survival. Schirmer (1985).
67.
Nettl, Bruno, Russell, Melinda: In the course of performance: studies in the world of musical improvisation. University of Chicago Press, Chicago (1998).
68.
Nettl, Bruno, Bohlman, Philip V.: Comparative musicology and anthropology of music: essays on the history of ethnomusicology. University of Chicago Press, Chicago (1991).
69.
Nketia, J. H. Kwabena: The music of Africa. W.W. Norton, London (1986).
70.
Owings, Donald H., Morton, Eugene S.: Animal vocal communication: a new approach. Cambridge University Press, Cambridge (2006).
71.
Papousek, Hanus, Jürgens, Uwe, Papousek, Mechthild: Nonverbal vocal communication: comparative and developmental approaches. Cambridge University Press, Cambridge (2008).
72.
Plantenga, Bart: Yodel-ay-ee-oooo: the secret history of yodeling around the world. Routledge, London (2004).
73.
Plastino, Goffredo: Mediterranean mosaic: popular music and global sounds. Routledge, London (2003).
74.
Rice, Timothy: Music in Bulgaria: experiencing music, expressing culture. Oxford University Press, New York (2004).
75.
Sachs, Curt, Kunst, J.: The wellsprings of music. McGraw-Hill (1965).
76.
Schreiner, Claus: Música Brasileira: a history of popular music and the people of Brazil. M. Boyars, London (2002).
77.
Schreiner, Claus, Claus, Madeleine, Pauly, Reinhard G.: Flamenco: gypsy dance and music from Andalusia. Amadeus, Portland, Or (1996).
78.
Shankar, Ravi: My music, my life. Mandala, San Rafael, Calif (2007).
79.
Shelemay, Kay Kaufman: Ethnomusicology: history, definitions, and scope : a core collection of scholarly articles. Garland, London (1992).
80.
Small, Christopher: Musicking: the meanings of performing and listening. University Press of New England, Hanover (1998).
81.
Snowdon, Charles T., Hausberger, Martine: Social influences on vocal development. Cambridge University Press, Cambridge (1997).
82.
Sorrell, Neil, Narayan, Ram: Indian music in performance: a practical introduction. Manchester University Press (1980).
83.
Stone, Ruth M.: Theory for ethnomusicology. Pearson Prentice Hall, Upper Saddle River, N.J. (2008).
84.
Sullivan, Lawrence E.: Enchanting powers: music in the world’s religions. Distributed by Harvard University Press for the Harvard University Center for the Study of World Religions, Cambridge, Mass (1997).
85.
Wallin, Nils Lennart: Biomusicology: neurophysiological, neuropsychological, and evolutionary perspectives on the origins and purposes of music. Pendragon Press, Stuyvesant, N.Y. (1991).
86.
Japan: semi-classical and folk music, (1974).
87.
Central African Republic: Republique Centrafricaine, (1999).
88.
Switzerland: Zauerli, yodel of Appenzell, (1980).
89.
Cameroon: Baka pygmy music, (1977).
90.
Tibetan Buddhism: the ritual orchestra and chants, (1995).
91.
Bali: gamelan & kecak, (1989).
92.
Arom, Simha: Centrafrique: anthologie de la musique des Pygmees Aka = Central Africa : musical anthology of the Aka Pygmies.
93.
Le mystere des voix Bulgares.
94.
Cellier, Marcel: Le mystere des voix Bulgares: Vol 2, (1988).
95.
Julian Center for Science and Education: Howling Harmonies: Northsound.
96.
Zamfir, Gheorghe: Les flutes Roumaines: avec Gheorghe Zamfir et syrinx (Simion Stanciu), (1969).
97.
Les Aborigenes: chants et danses de l’Australie du nord, (1988).
98.
Canada: Inuit games and songs, (1976).
99.
Tibetan ritual, (1991).
100.
Australia: aboriginal music = Australie : musique aborigene, (1992).
101.
Central African Republic: Republique Centrafricaine, (1999).
102.
Albania: vocal and instrumental polyphony, (1988).
103.
Les Plus Grandes Melodies (French Import) [Import].
104.
La Doina Roumaine, (1994).
105.
Village music of Yugoslavia: songs & dances from Bosnia-Herzegovina, Croatia & Macedonia, (1995).
106.
Kenya and Tanzania: witchcraft and ritual music, (1975).
107.
Ghana: ancient ceremonies, songs & dance music, (1979).
108.
Ensemble Nipponia: Japan: traditional vocal and instrumental music, (1976).
109.
Africa: drum, chant & instrumental music, (1976).
110.
Raim, Ethel, Koenig, Martin: A harvest, a shepherd, a bride: village music of Bulgaria ; In the shadow of the mountain.
111.
Kingdom of the sun: Peru’s Inca heritage. Fiestas of Peru : music of the High Andes, (1988).
112.
Wentz, Brooke: Voices of forgotten worlds: traditional music of indigenous people. Ellipsis Arts, Roslyn, N.Y. (1993).
113.
Wentz, Brooke: Africa: never stand still. Ellipsis Arts, Roslyn, N.Y.
114.
Blumenfeld, Larry, Ellipsis Arts: Echoes of the forest: music of the Central African pygmies, (1995).
115.
Blumenfeld, Larry, Ellipsis Arts: Harvest song: music from around the world inspired by working the land, (1995).
116.
Waulking songs from Barra, (1993).
117.
Gaelic psalms from Lewis, (1994).
118.
Turkey: the sacred Koran : Islamic chants of the Ottoman Empire.
119.
Mongolia: Hoomii and Urtin Duu, (1992).
120.
Java (Sunda): the music of Sunda, (1993).
121.
The Tibetan Buddhist chant, (1992).
122.
Zemp, Hugo: Juuzli: yodel of the Muotatal (Switzerland), (1990).
123.
Crossley-Holland, Peter: Tibetan ritual music.
124.
Laade, Wolfgang: Australia: songs of the Aborigines and music of Papua, New Guinea.
125.
Liang, Tsai-Ping: China’s instrumental heritage.
126.
Bali: musique pour le gong gédé.
127.
Burundi: musiques traditionnelles, (1988).
128.
Japon: Gagaku, (1987).
129.
Roumanie: musique des Tsiganes de Valachie, (1988).
130.
Gabon: hommage a Pierre Sallee, (1989).
131.
Roumanie: la vraie tradition de Transylvanie, (1989).
132.
Canada: jeux vocaux des Inuit, (1989).
133.
Guinee: recits et epopees, (1992).
134.
Zaire: polyphonies Mongo, (1993).
135.
Uzlyau: guttural singing of the peoples of the Sayan, Altai and Ural mountains, (1993).
136.
Thailande: la musique des Mons, (1988).
137.
Vocal traditions of Bulgaria: Bulgarian village traditional song from the archives of Radio Sofia.
138.
Roché, Jean: Songs through the seasons: a calendar of nature’s sounds, (1994).
139.
Bruckert, Remy: Voices of nature: CD sampler, (1994).
140.
Marine Mammal fund: Songs from the deep. Sittelle, Mens (1994).
141.
Boulton, Laura: Navajo songs, (1992).
142.
Lloyd, A.L.: Folk music of Albania, (1994).
143.
Lloyd, A.L.: Folk music of Bulgaria, (1994).
144.
Dietrich, Wolf: Folk music of Greece, (1994).
145.
Dietrich, Wolf: Folk music of Turkey, (1994).
146.
Jenkins, Jean: Vocal & instrumental music of Mongolia, (1994).
147.
Jenkins, Jean: Music from Ethiopia: the central highlands, the desert nomads & Eritrea, (1994).
148.
Music in the world of Islam: human voice/lutes, (1994).
149.
Music in the world of Islam: strings, flutes & trumpets, (1994).
150.
Music in the world of Islam: reeds & bagpipes, drums & rhythms, (1994).
151.
Early cante Flamenco: classic recordings from the 1930’s, (1990).
152.
Cherkaoui, Abdeslam: Morocco: the Arabic tradition in Moroccan music, (1988).
153.
Thailand: the music of Chieng Mai, (1975).
154.
Japan: O-Suwa-Daiko drums, (1978).
155.
Japan: Ainu songs, (1993).
156.
Japan: music of the Bunraku theatre.
157.
Classical music of Thailand, (1991).
158.
Music of Myanmar, (1988).
159.
Bolivie: musique calendaires des vallées centrales = Bolivia : calendar music in the central valleys, (1992).
160.
Buddhist drums, bells and chants.
161.
Lomax, Alan, Alabama Sacred Harp Convention: White spirituals from the Sacred Harp, (1977).
162.
Lomax, Alan: The Gospel ship: Baptist hymns and white spirituals from the southern mountains, (1977).
163.
The colored sacred harp, (1993).
164.
Thai classical music, (1994).
165.
Toureille, Pierre: Birmanie: musique d’art, (1989).
166.
Brunet, Jacques, Soubane Vongath, Sengphet Souryavongxay, Khamsay Khounsavath, Nouthong Phimvilayphong: Laos: Lam Saravane : musique pour le khène.
167.
National Museum of American History (U.S.), Smithsonian Institution: Native American traditions: music of New Mexico.
168.
National Museum of the American Indian: Creation’s journey: native American music.